San Francisco, Mc Graw-Hill Company, 1982.
Relié, cartonnage éditeur, jaquette illustrée. Format 365x260 mm. 256 pages. Très nombreuses illustrations en n/b. Prem...
Berenice Abbott first established herself in commercial portraiture in Paris and later in New York. Besides creating masterful bodies of work on the changing face of New York, ...
Real progress is something that needn’t be commented on; it is simply self-evident. That’s the principle behind this elegantly understated book, which places photographs taken by photographer
Eugene Atget, the "Balzac of the camera" and a beloved chronicler of Paris from 1898 to 1927, was the master of giving an objective view of the city's poor. New York photographer B...
To celebrate the centennial of Abbott's birth, the author has curated this show comprising the Museum of the City of New York's collection of 200 of the 307 prints that Abbott made between 1935 and 19...
« La photographie vivante construit, elle ne détruit rien. Elle proclame la dignité de l'homme : la photographie vivante est constructive dans son approche; elle chante un hymne à la vie. »
Prése...
Abbott Berenice & O’Neal Hank American photographer
Lire la suite
Photopoche Bérénice Abbott, numéro 61
Berenice Abbott de Aperture, Julia Van Haaften
New York Changing: Revisiting Berenice Abbott's New York
Berenice Abbott and Eugene Atget
Berenice Abbott: Changing New York
Berenice Abbott