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Newsletter Vidéos : Sophie Calle(En savoir plus sur Sophie Calle) |
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Art Safari Sophie CalleIntro Sophie Calle. You can now buy Art Safari Series 1 and 2 from my website www.benlewis.tv or www.artsafari.tv
Sophie Calle / French Pavilion / 52nd Venice Biennale 2007www.vernissage.tv | Sophie Calle Take care of yourself, French Pavilion, 52nd International Art Exhibition Venice Biennale. "When chosen to exhibit in the French Pavilion at the 2007 Venice Biennale, Sophie Calle put an ad in the newspaper to recruit 'an enthusiastic person to act as exhibition curator'. This method of selection is well and truly part of Sophie Calle's artistic approach; from around 200 replies, she chose Daniel Buren to assist with her project: Take care of yourself."... "I received an email telling me it was over. I didn't know how to answer. It was as if it wasn't meant for me. It ended with the words: Take care of yourself. I took this recommendation literally. I asked hundred and two women, chosen for their profession, to interpret the letter in their professional capacity. To analyze it, provide a commentary on it, act it, dance it, sing it. Dissect it. Squeeze it dry. Understand for me. Answer for me. It was a way to take the time to break up. At my own pace. A way to take care of myself." (from the PR (pdf)).
Sophie Calle. Art, Biography and History. 2004 1/2www.egs.edu Sophie Calle lecturing about her artwork, history, biography, the relationship with her father, her studies, private and public space,persons, following people, taking photos and writing notes. Sophie Calle, filmmaker and director and Yve-Alain Bois, art historian Harvard University. Public open video lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2004.Sophie Calle. Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing. Calle began working as an artist in the 1970s, after traveling the world for seven years. When she returned to Paris, the city in which she was born, she recalls feeling isolated and lost; this isolation inspired her to investigate the lives of the people around her. Her first photographs were of graves marked simply mother and father. Although much of her work employs voyeurism, Calle has allowed her own life to be put on display as well. She became so intrigued by following her ...
tateshots - Venice Special: Sophie CalleSophie Calle talks about her piece, Prends Soins de Toi, for the French pavillon of Venice Biennale 2007... as well as about using elements of her life as art.
contacts vol2 01 sophie calle 1of2The world's greatest photographers reveal the secrets behind their images in this collection of short personal films 2/2 www.youtube.com
Sophie Calle, Detail from Take Care of Yourself, 2007Video of clown reading the 'dear jane' letter
Sophie Calle. Art, Biography and History. 2004 2/2www.egs.edu Sophie Calle lecturing about her artwork, history, biography, the relationship with her father, her studies, private and public space,persons, following people, taking photos and writing notes. Sophie Calle, filmmaker and director and Yve-Alain Bois, art historian Harvard University. Public open video lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2004.Sophie Calle. Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing. Calle began working as an artist in the 1970s, after traveling the world for seven years. When she returned to Paris, the city in which she was born, she recalls feeling isolated and lost; this isolation inspired her to investigate the lives of the people around her. Her first photographs were of graves marked simply mother and father. Although much of her work employs voyeurism, Calle has allowed her own life to be put on display as well. She became so intrigued by following her ...
Tetine vs Sophie Calle - Samba de Monalisa 2Samba de Monalisa 2 - by Eliete Mejorado - taken from Tetine vs Sophie Calle (Sulphur Records 2002) "Tetine, Brazilian artists Bruno Verner and Eliete Mejorado have created a dispassionate American travelogue of great tenderness and reserve. As male and female voices offer intimate insights into the directionless, inertial flow of their relationship, a sharply defined soundtrack follows them on a road trip from New York to Vegas. The televangelist rant, cool French tone and hip hop lope of the opening suggest an emotionally detached take on Jean Luc Godard's classic debut Au Bout De Souffle but the mute longing of 'Amada Amante' and 'I Met Him in The Bar' go way beyond even that." Ken Hollings, The Wire, 2002
Take Care Of Yourself, Sophie Calle 20100123In 2007 Sophie Calle (French artist, Paris 1953) made a great impression with her presentation on the Biennale of Venice of her installation "Prenez soin de Vous". At the moment until 16th of May 2010 the recent produced English version is the central peace of her presentation in the De Pontmuseum in Tilburg, The Netherlands. This small video-impression only reveals a glims of the real thing. If you haven't seen the work of Sophie Calle this is your chance to get hooked.
contacts vol2 01 sophie calle 2of2The world's greatest photographers reveal the secrets behind their images in this collection of short personal films 1/2: www.youtube.com
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 1/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 2/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Sophie Calle - Cuide de VocêA exposição inspirada por uma carta. www.sophiecalle.com.br São Paulo Sesc Pompéia De 10 de Julho a 7 de Setembro de 2009 Salvador Museu de Arte Moderna De 22 de Setembro a 22 de Novembro de 2009
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 3/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 4/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 5/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 6/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Sophie Calle, Detail from Take Care of Yourself, 2007Sophie Calle, Detail from Take Care of Yourself, 2007. Video of clown reading the 'dear jane' letter.
Yve-Alain Bois. Photography and the Work of Sophie Calle. 2003 7/7www.egs.edu Yve-Alain Bois, art historian and critic of modern art lecturing about the background, philosophy, photography and work of Sophie Calle. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="www.egs.edu Graduate School, Media and Communication Studies department program‹/a› Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. He received an MA from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October.
Sophie CalleL'œuvre de Sophie Calle est un mélange de fiction, d'autofiction et de récits vrais. Christine Macel, commissaire de son exposition "M'as-tu vue" et Emmanuel Perrotin, son galeriste, commentent sa production. En voir plus sur : www.vodeo.tv
Sophie Calle - "Pas pu saisir la mort", Venice 2007 - 2Extract from somewhere towards the end of Sophie Calle's video recording "Pas pu saisir la mort", exhibited in the International Pavillion at the Venice Biennale, 2007
MAM - Sophie Calle
tateshots Issue 5 - Sofie CalleWhen a boyfriend broke-up with her by email, French artist Sophie Calle asked 107 women to read the letter and to analyse it according to their professional interest. It was set to music, re-ordered by a crossword-setter, performed by an actress, and probed by a forensic psychiatrist, amongst others. The resulting artwork called Take care of yourself (after the boyfriend's parting words) fills the French Pavilion at the Biennale. Another example of Calle's ability to create art from the intimate and painful details of her life is also being shown in Venice. It takes the form of a film recording the dying moments of her mother, while in an adjacent space a statement on the wall explains that on the day that Calle was invited to represent France at the Biennale, she learned that her mother was terminally ill. Calle spoke to tateshots about her work.
On the trail of Sophie Calle, Part 2in Dublin, Ireland. Filmed by Trista di Genova
Entrelinhas - Sophie CalleO programa destaca uma das personagens mais polêmicas da Flip: a artista plástica francesa Sophie Calle, que está com a exposição Cuide de Você em cartaz no Sesc Pompeia, em São Paulo. Nossa colaboradora Veronica Stigger comenta o trabalho de Sophie, que utiliza experiências de sua vida pessoal para fazer obras de arte que flertam com a literatura como no livro Histórias Reais (que acaba de ser lançado no Brasil, no qual justapõe fotos e relatos supostamente confessionais) e na própria exposição, em que ela usou a carta de rompimento que recebeu do ex-namorado, o escritor Grégoire Bouillier , para fazer uma polêmica instalação na qual 104 mulheres comentam a mensagem. Além do comentário sobre a trajetória de Sophie Calle, a matéria mostra trechos da mesa na Flip da qual ela participou com Bouillier, expondo as feridas desse envolvimento amoroso.
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