Since its inception in 2004 the Sammlung Verbund focuses on the feminist art movement of the 1970s as one of the main areas of collecting. In keeping with its maxim, "Depth before Breadth", the fruits of this particular focus are now for the first time presented in Italy. The Galleria nazionale d'arte moderna in Rome shows an exhibition entitled DONNA: FEMINIST AVANT-GARDE OF THE 1970...

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L'exposition « C’est la vie!! - Vanités de Caravage à Damien Hirst! », présentera environ 160 oeuvres, peintures, sculptures, photographies, vidéos, bijoux, objets.

"C’est la vie !
Jamais l’art des vanités n’a été aussi vivant, accaparé par la mode, la musique ...

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L’esposizione, nata da un progetto del CCCS, con la consulenza scientifica di Brett Rogers (direttore della Photographers' Gallery di Londra), Luminita Sabau (direttrice della collezione di fotografia contemporanea DZ Bank, Germania), Martino Marangoni (direttore della Fondazione Marangoni di Firenze) e Franziska Nori (project director del CCCS), focalizzerà la propria attenzione s...

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The exhibition, the idea for which came from a CCCS project that availed itself of the scientific advice of Brett Rogers (director of the Photographers' Gallery, London), Luminita Sabau (director of the DZ Bank collection of contemporary photography in Germany), Martino Marangoni (director of the Fondazione Marangoni, Florence) and Franziska Nori (project director with the CCCS), will be focusi...

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Following the survey of photographed sexuality and lust in Darkside I, the other end of the physical spectrum is illuminated: the intimate affinity between death and photography – impairment, disease, degeneration, violence and death, pain, grief and loss. Recording death is, along with war reporting, one of photography’s original tasks. Pictures of horror are often shocking and yet...

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Following the investigation of photographed sexuality and desire in Darkside I, Fotomuseum Winterthur focuses now on the other extreme of the bodily spectrum, charting the path from the body as a veritable ‘picture of health’ to the body injured, disfigured or mutilated, in decline and decay. This raises questions: Why is there an intimate affinity between photography and death? Why...

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de l'air - Le magazine qui donne à voir N°40

Spécial autoportrait
16 Devant, derrière
À travers 35 autoportraits, de l’air aborde les différentes
formes que revêt cet exercice fondamental dans l’histoire de la
photographie. Illustrations.

32 Je est-il un autre ?
Pourquoi les...

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For a number of years we have been gathering together a collection of photographs which has evolved into a substantial group, but has never been shown publicly. A selection of which we would now like to present in our exhibition 'Selected photographs. From Brassaï to Cindy Sherman'.

Our intentions are to provide a wide and representative cross section of our inventory, begin...

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Depuis les portraits en noir & blanc de Diane Arbus, Harry Callahan et August Sander, jusqu’aux oeuvres en couleur d’artistes contemporains tels Serge Comte, Thomas Ruff et Cindy Sherman, l’exposition «Face à face» propose une variation autour de la représentation de l’individu, de son visage comme de son attitude, à travers laquelle ...

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Since the invention of photography more than 170 years ago it has been largely women who have used this technical medium to project themselves through role playing and masquerading. As well as the experimental urge to constantly recreate ones ego, the camera has also served as a means of calling into question clichés of female representation. Playing with the image of the eternally femin...

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