Robert Mann Gallery opens the fall exhibition season with a suite of vintage photographic works by Dutch conceptual artist Michel Szulc-Krzyzanowski. Living out of a trailer in Baja California, Mexico, Szulc-Krzyzanowski engaged in a rigorous study of possibilities opened by combining multiple frames of images into sequences. David Travis, former curator of photography at the Art Institute of Chicago, writing about Szulc-Krzyzanowski's Sequences in 1984 explains,

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Robert Mann Gallery presents a selection of photographs by Aaron Siskind that draw upon the four seminal exhibitions the artist had at the Egan Gallery between April 1947 and June 1954. Included are a selection of prints believed to have been presented in the original exhibitions.

At the recommendation of his friend Barnett Newman, photographer Aaron Siskind paid a visit to art dealer Charles Egan, one of the few gallerists in New York devoted to contemporary art at the time. T

Jem Southam's careful studies of the effects of time continue with his photographs of the rockfalls of Normandy, the subject of his second solo exhibition at Robert Mann Gallery. Revisiting the same sites over the course of several years, Southam's photographs of crumbling cliffs and boulders reward careful inspection of details, indulging in the subtle beauty of colors and textures. Medium and content unite to form a unique praxis in which the artist engages the implicit tensions between the